» Chamber/Solo Pieces

Vocal

You Dream in Beauty (2018)

text by Fraser Nixon

mezzo-soprano, tenor, acoustic guitar, piano, violin, cello

6 min.

You Dream in Beauty was selected as the winning proposal for a new piece, in a composition contest sponsored by Erato Ensemble, a Vancouver-based art song/chamber music ensemble. The piece was conceived as a modern reinterpretation of Luys de Narváez’s Cancion del Emperador, originally written for vihuela, in 1538. Its melodic material is reworked and reimagined here with an expanded instrumentation (two voices, guitar, piano, violin, and cello), and set to a poem written in villanelle form—the villanelle form being something that originated roughly around the same time as the Cancion del Emperador was composed. The poem was written specifically as text for this new piece, by Vancouver-based author Fraser Nixon.

You Dream in Beauty received its premiere by Erato Ensemble, at the Orpheum Annex, Vancouver, Canada, on May 26th, 2018.

Performed by Tim Beattie (guitar) & ensemble, at Stevenson Hall, Royal Conservatoire of Scotland, Glasgow, 6 November, 2022.

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“You dream in beauty
on the western shore
knitting labyrinths
of raveled sleep
I pass in silence through
A stranger’s door

& when you rise, my love
(whom I adore)
what music will you bring
from rivers deep?
You dream in beauty
on the western shore

Here, at harvest, when
what’s sown must reap
the rich man eats his own poor brother
for god is good
& life is cheap
I pass in silence through
a stranger’s door

They who only want to take
will be forever taking more
But love is free to give
& forever ours to keep
You dream in beauty
on the western shore

Where were you—walking slipshod
on some farther western shore?
Your footsteps disappearing
in retreating oceansweep
I pass in silence
through a stranger’s door

Red suns leap over mountaintops
bright as wild lion’s roar
rains fall upon us all
darkened seas
beneath dead moons
who never weep

We dream in beauty on a stranger shore
We pass in silence through the western door…”

Fraser Nixon (1976- )

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Sheet music is available through the Canadian Music Centre.

Watch a video of the premiere performance here:

P’tites chansons d’amour (2014)

mezzo-soprano, bass clarinet, violin, cello, harp

8 min.

song cycle

I. L’on revient toujours (text: Charles-Guillaume Étienne)
II. Maîtresse, embrasse-moi (text: Pierre de Ronsard)
III. Rossignol du vert bocage (text: trad. French-Canadian)

P’tites chansons d’amour is a miniature song cycle, conceived as something simple, pure, and folk-like. The three songs are loosely bound together by the common theme of love— which is of course anything but pure or simple. The text was taken from three different French authors: Charles-Guillaume Étienne (1778-1845), Pierre de Ronsard (1524-85), and the third by an unknown early French Canadian. The text follows the remembrance of a first love, the passion of lovers, and eventually the bittersweetness of leaving a lover.

This work received its premiere on March 24, 2011 (in a previous version, before a violin part was added), at the Sonic Boom Festival in Vancouver, Canada.

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Sheet music is available through the Canadian Music Centre.

The Brain (2002)

tenor voice, bass clarinet, piano

6 min. 40 sec.

‘The Brain’ was written for tenor voice, bass clarinet, and piano, with text based on a poem of the same name, by American poet, Emily Dickinson. It was premiered at Simon Fraser University Theatre (Burnaby, British Columbia, Canada), in March 2003.

“The Brain—is wider than the Sky—
For—put them side by side—
The one the other will contain
With ease—and You—beside—

The Brain is deeper than the sea—
For—hold them—Blue to Blue—
The one the other will absorb—
As Sponges—Buckets—do—

The Brain is just the weight of God—
For—Heft them—Pound for Pound—
And they will differ—if they do—
As Syllable from Sound—”

Emily Dickinson (1830-1886)

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Sheet music for this piece is available through the Canadian Music Centre.